


Editor: Dr Geraldene Peters
Prologue
Abstracts
ISSN: 2253-1475 (digital)
Table of Contents
Ross Brannigan: Navigating diverse cultures in the production of Look at You, Aroha Atu, Aroha Mai
Page: 1-6
Dr. Russell Campbell: The operative logic of Operation 8
Page: 7-13
Kerreen Ely-Harper: Your search found no stories: Memory, history and family biography on film
Page: 14-24
Bettina Frankham: Evidentiary to experiential – a poetic approach to documentary
Page: 25-34
Bronwen Gray & Dr. Alan Young: Digital storytelling and narrative therapy: A case study in working with disenfranchised communities in Australia and New Zealand
Page: 35-41
Trent Griffiths: Representational eruptions: the filmmaker in the frame
Page: 42-49
Lisa Gye & Jeremy Weinstein: Docummunity and the disruptive potential of collaborative filmmaking
Page: 50-57
Alan Hill: Picturing power: Visual strategies employed by contemporary documentary photographers to examine underlying power relationships and structures
Page: 58-69
King Tong Ho: Expanding from dominion road: Documentary through discourse
Page: 70-90
Kelly Hussey-Smith: Animals as decoration and entertainment
Page: 91-113
Emma Kelly & Eileen Lavranos: “Sometimes I Hate Them”: In what ways do identity and subjectivity Currently influence forms of documentary expression?
Page: 114-120
Professor Shaoxiong Lin: The special history shown by film: A case study of the dance age
Page: 121-128
Xiulun Ma: Study on the form and style of documentaries during the Chinese “Cultural Revolution” (1966-1976)
Page: 129-140
Caroline McCaw: Social histories in conversation
Page: 141-149
Janet Merewether: Autobiographical and historical representations of maternal embodiment and the single mother in the hybrid documentary Maverick Mother
Page: 150-161
Shaun Nicholson: The complication or complexity of an augmented reality
Page: 162-171
Dr. Max R.C. Schleser: Mobile-mentary (mobile documentary) 2.0: The distinction between collaborative and co-creation in documentary theory and practice
Page: 172-180
Julia Scott-Stevenson: The interactive documentary in a cross-platform, community context
Page: 181-188
Myriam Tremblay-Sher: The promise of return: Understanding the historical trauma of the Holocaust through personal documentary films
Page: 189-195
Dr. Laetitia Wilson & Sohan Ariel Hayes: Birndi Wirndi /Worlds Apart: Site-specific documentary
Page: 196-202
John Liddell and Dr. Jillian Hamilton: Documentary as history, memory, dream and film
Page: 203 -216