AUT - Alison Booth

AUT

Dr Alison Booth

Alison Booth.

Lecturer

Phone: +64 9 921 9999 ext 6550

Email: alison.booth@aut.ac.nz

Physical Address:
Room WH317
School of Hospitality and Tourism
Wellesley and Mayoral Drive
AUT City Campus.

Postal Address:
School of Hospitality and Tourism
Private Bag 92006
Auckland 1142

Qualifications:

  • PhD, Music — University of Otago
  • Masters of Creative and Performing Arts (Hons) — The University of Auckland
  • Certificate of Tertiary Teaching — AUT University.

Memberships and Affiliations:

Teaching Areas:

  • BA Event Management
  • Paper Coordinator and Lecturer Event Production
  • Co-operative Education in Event Management
  • Contemporary Issues in Event Management
  • Event Planning.

Research Summary:

Alison Booth is a specialist in ethnography, festivalisation, social sustainability cultural representation of diasporic communities and event production practices.


Her PhD, Performance Networks: Indian Cultural production in Aotearoa, explores the processes and relationships that support the production of cultural events, with specific reference to events that are of interest to and/or produced by New Zealand's Indian communities. Alison holds a Masters in Creative and Performing Arts with honours from the University of Auckland specialising in Arts Management with a primary world music production focus.


Alison is a performer as well as an event producer. She has been involved in numerous event collaborations across the event industry including conferences, concerts, and national tours.


She worked as a promotion coordinator for several years at the University of Auckland holding a variety of roles including producing small performance events. This includes within the Indian community as well as large public events for the Knowledge Wave Conference, concert collaboration with The Edge, community workshops with WOMAD, international events for the New Zealand Asia Institute and exhibitions and performances with the Auckland Museum.

Academic roles

  • Paper coordinator: Event Production
  • Paper coordinator: Contemporary Issues in Event Management
  • Cooperative Education in Event Management Lecturer
  • School of Hospitality Representative: Exam Board and Board of Studies
  • Faculty of Culture and Society Curriculum Review Committee
  • Faculty of Culture and Society Mentor /Mentee Programme
  • Project Leader #10, Learning and teaching Development Project CfLT(Gamification Model for teaching delivery of Event Production).

Current Research Projects:

  • Completion PhD, Otago University Department of Music. Working Title — Performance Networks: Indian Cultural Production in Aotearoa in examination process expected graduation 2014.
  • Booth, A. (in progress). Whose Diwali is it? A Festivalisation Case Study. Tourism, Culture and Communication Special Issue: Diasporas and Identity: Tourism/Being/Becoming.

Publications:

Chapters in edited volumes

  • Alison Booth. Sustainability and Community Networks: The Case of the Indian Diaspora. In M. Lück and T. Pernecky (Eds.), Events, Sustainability and Society. Routledge: Abingdon UK. 2013 (100%).
  • Alison Booth. Multiple Voices: music production from home to stage. Chapter 6 in edited volume Many Voices. Henry Johnson, ed.  Cambridge Scholars Publishing: Newcastle-Upon-Tyne UK. 2010 (100%).
  • Alison Booth. Concept to Context. Chapter 2 in edited volume Event Management. Peter Robinson, Geoff Dickson and Deborah Wale, eds. CABI: Wallingford OXON UK. 2010 (100%).

Refereed conference articles and proceedings

  • Alison Booth. What's in it for me? Creating value through fusion. For What It's Worth: Selected Conference papers edited by Shelly Brunt and Kirsten Zemke. IASPM: Dunedin 2010 (100%).
  • Alison Booth. Celebrating Diwali: Indian culture Kiwi style (working paper). New Zealand Tourism and Hospitality Research Conference Proceedings published by School of Hospitality and Tourism and New Zealand Tourism Research Institute 2010 (100%).

Press articles

  • Alison Booth. Complexity of 'Indianness' impacts show management. Indian Newslink: Auckland 31 July 2014.
  • Alison Booth. Fusion: A soulful concert. Indian Weekender: Auckland 11 August 2014.

Refereed conference presentations

  • Booth, A. (2014). Changing cultural economy in the production of Indian performance. In Unthinking Asian Migrations: Spaces of flows and intersections, University of Otago, Dunedin. Recipient Faculty of Culture and Society Local Conference Funding Award.
  • Booth, A. (2014). Whose Diwali is it? The case of the Indian community and Auckland City Council. Graduate Panel at the India Musicological Society annual Seminar series, Nariman Point, Mumbai India, 17-19 January 2014. (Recipient of the Indian Musicological Society Dr. Premlata Sharma Award for Promising Musicologist 2013 by the Indian Musicological Society at the National Centre for Performing Arts in Mumbai, India.)
  • Booth A. (2013). Whose Diwali is it? The case of the Indian Community and Auckland City Council. School of Hospitality and Tourism Research Exchange, Auckland, 10 Dec 2013.
  • Booth A. (2013). Global India and Cultural Space in Auckland's Performance Scene. 20th NZASIA Biennial International Conference, Auckland, NZ, 22 Nov 2013 - 24 Nov 2013. Proceedings Editors: Chung H, Clark P.
  • Alison Booth. Politics and Performance at Diwali: The case of the Indian Community and Auckland Council. Refereed poster session presented at Making Waves: International Conference on Events (ICE2013) and the 10th AEME Education Forum that was held 3-5 July at the University of Bournemouth. Recipient of a Faculty of the Culture and Society Overseas Conference Funding Award.
  • Alison Booth. The Sound of Ankle Bells: The Flow of classical content in a Tamil diasporic dance performance. Refereed conference paper presented to the annual conference of the International Association for Popular Music (Australia‐ NZ Branch) at the University of Tasmania in Hobart 5-7 December 2012 (100%). Recipient of Otago University Division of Humanities Postgraduate Conference Funding Award.
  • Alison Booth. Desi Music and Dance: Indian Youth Performance and Identity. Refereed conference paper presented to the annual conference of the International Association for Popular Music(Australia‐ NZ Branch) at Victoria University of Wellington 23-25 November 2011 (100%. Recipient of the University of Otago Department of Music discretionary conference funds.
  • Alison Booth. Performance, Producers and Representation: NZ Indian Community. Refereed conference paper presented to Sustainability and Ethnomusicology Symposium organized by the International Conference for Traditional Music at the Griffiths University Music Conservatorium in Brisbane 17‐19 March 2011 (100%). Recipient Faculty of Applied Humanities Local Conference Funding Award.
  • Alison Booth. The Global Kiwi: Marketing the Diwali Festival to the World. Refereed conference paper presented the Otago University research symposium Interrogating Multiculturalism in Aotearoa/New Zealand: An Asian Studies Perspective at the Dunedin Public Art Gallery 19‐20 February 2011 (100%).
  • Alison Booth. Global Warming and eco‐musical broadsides. Refereed conference paper presented tothe Annual Meeting of The Society of Ethnomusicology hosted by UCLA, Los Angeles CA 10‐14 3 November 2010. (100%). Recipient Faculty of Applied Humanities Overseas Conference Funding Award.
  • Alison Booth. Celebrating Diwali: Indian culture Kiwi style. Refereed conference paper presented to New Zealand Tourism and Hospitality Research Conference 2010 hosted by Auckland University of Technology 24-26 November 2010.
  • Alison Booth. What’s in it for me? Creating value through fusion. Refereed conference paper presented to the Annual Meeting of the International Association for the Study of Popular Music (ANZ) 27‐28 November 2009 (100%).
  • Alison Booth. Producing Musical Events: Golden Memories. Refereed conference paper presented to the Annual Meeting of the International Association for the Study of Popular Music, University of San Diego (USA), San Diego CA 28‐30 May 2009 (100%).
  • Alison Booth. Multiple Voices: music production from home to stage. Refereed conference paper presented at "Many Voices" Symposium, 16‐18 April 2009, University of University of Otago,Dunedin. (100%).
  • Alison Booth. Advocacy in Music Performance Production. Refereed conference paper presented to the Annual Meeting of The Society of Ethnomusicology, 22‐24 October 2008, Wesleyan University, CT, USA. (100%)

Awards:

  • Vice-Chancellor's Academic Staff Doctorate Completion Award (Semester One 2013)
  • Dr. Premlata Sharma Promising Musicologist Award 2013 bestowed by the Indian Musicological Society in Mumbai India (2014).

Last updated: 01-Sep-2014 2.57pm

The information on this page was correct at time of publication. For a comprehensive overview of AUT qualifications, please refer to the Academic Calendar.

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